Camp Howdy

"Sending Rita Cosby and Anderson Cooper to the site of the mineshaft tragedy, where cameras can record family members' every painful reaction, is in the great ghoulish tradition of journalism.

"It's routinely justified as fabulous 'storytelling'; these are said to be 'human interest dramas' that magnetize audiences. But other than pandering to our ratings-generating appetite for melodrama, is there any legitimate justification for this kind of saturation coverage? Sure, 13 accidental deaths are important, but there are easily as many American deaths, every day, that never get reported, let alone accorded the full anchor-compassion treatment. It can't be the quantity of lives lost, or the virtue of the lives led; church vans tumble into ravines and scores of our countrymen are killed, but their deaths rate only a mention by the wire services. Why? It's hard to escape the conclusion that it's because the mineshaft story is good television . We can watch it unfold. It's a voyeur's paradise. The suspense, the anguish, the knife-edge of hope and despair: it's grief porn, dressed up as breaking news."
-- Marty Kaplan