Wednesday, June 27, 2007

Aw, Baby.

Foat Wuth, 78. This thang works on all ways which were the late 70's. It out glams Glam Rock because these guys get in ALL THE FUCKING CLUBS. Then the boys just can't get it together at the chorus but seem to do a great Southern Rock Electrical Gee-tar Duet all while being as fuck it punk as anybody. I mean, he was crazy to stay.

Comments:
At about 3:12 in, Wyman drops a hi to low note bass line that sounds like watching Flea drop off the tow into a 60 footer at Mavericks.

Totally bitchen!

Who was crazy to leave? ??
 
I mean, stay, who was crazy to stay?
 
http://www.youtube.com/watch?v=tqXXqoAxxzU&mode=related&search=

I always liked the first four Stones albums, all the pent up soulful R&B.

This is a GREAT clip from then, but skip Pain In My Heart . . . the open cut and the closer have the boys rockin . . . Michael Jackson had NOTHING on Mic Jagger's foot work!!! *G*
 
Can I get a ruling here? Did he just ask me the second line in the song? I want stroke AND fucking distance.
 
Here's the ruling . .

The early Stones were better.

Punks R UHS.

Harumph . . . . .

What second line, it's ALL unintelligable . . .

Just ANOTHER reason this nation has gone to the pits, damn lyrics can't be heard . . . . . mumbled mouth full of promises down on Rue Morgue Avenue . . .

Harumph.

I still like Wyman's bass line. He was one of the wierdest of the staid, and placid brit bass kats.

Played like Del McCourry holdin up the git on a G Run, ya know?
 
The pot calling the kettle "unintelligable"...

If you still don't know who was crazy to stay, please leave the Stones and go back to your Osmond 8-tracks.
 
OUCH!

You played hockey, didn't you . . .
 
And PLEASE, never ask me about your 'fucking distance' . .

I'ts . . . UNCOUTH!

And, I'll never again stand in front of you, up there, back, and to the right.

(shivers)

How bout that Wyman bass run . . .
 
I played hookie, Zeke played hockey. Mick was crazy to stay.
 
Whip it good!!! ;-)
 
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